Editorial Reviews:
Picturing the Bible explores the vast tradition of Christian art at its very beginnings in the third century A.D., just as Christianity was emerging from its outlawed, clandestine status to become the state religion of the Roman Empire. What images did these Christians use to express their faith openly? Were they the first believers to part with Mosaic law by creating ?graven images?? What Jewish and pagan sources, if any, did they look to for inspiration? When did they begin to depict the life of Jesus? This beautifully illustrated book takes up such questions, revealing the story of how Christian art began through insights from recent discoveries. Leading experts explore topics ranging from Jewish art in the Greco-Roman period and the influence of Constantine, to the development of church decoration and the meaning of illustrated Bibles. Throughout we see the distinctive pictorial selection of Early Christians, who at first depicted Old Testament figures?Abraham and Isaac, Jonah, and Daniel?and did not invent new images until over a century later. The special meanings attached to old images and new ones like the fish, anchor, and Good Shepherd all come to life in these pages. The essays are complemented by extensive new archaeological research on a range of more than one hundred objects, drawn from major museums of America and Europe. Frescoes, marble sculpture and sarcophagi, silver vessels and reliquaries, carved ivories, decorated crosses, and illuminated Bibles are illustrated in new color photographs, allowing the reader an unprecedented encounter with Early Christian art.
Customer Reviews:
 Thanks for the vision
This book is essentially the catalog for the world-class exhibition held from Dec. 2007-March 2008 at Ft. Worth's Kimbell Art Museum. Curated by Jeffrey Spier, the exhibtion titled "Picturing the Bible" brought to this country 100 treasures, many of which had never left their countries before. For those who couldn't see this once-in-a-lifetime collection, the catalog presents pictures with articles of all the exhibits. More than that, however, well-known art historians, classicists and archaeologists provide major articles on the Jewish art of late antiquity, on pre- and post-Constantinian Christian art, as well as on book illustrations of late antiquity. The volume is beautifully done and provides a fine addition to the library of anyone interested in Christianity and Christian art in late antiquity. Personally, I appreciated Dr. Spier's vision for assembling this collection and editing this volume. It is rare to have an opportunity to experience these works in a U.S. museum.
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