Meet the Author: David Sonnenschein
Watch Video Here: http://www.amazon.com/review/RMCQBEGQDNYVJ Author and sound designer David Sonnenschein gives some examples of how sound design enhances the movie-going experience.
I have often taken inspiration from the book
The book "Sound Design", the expressive power of music, voice, and sound effects in cinema, is one of my favorite in my collection. I always recommend it to colleagues and customer. During my technical seminars-workshop and product training sessions, I have often taken inspiration from the book, particularly the sections "TRY THIS" that the author has included in various parts inside it.
The book is written with great passion!
Great read
Sonnenschein effectively covers the theory behind shaping the soundtrack, and gives great examples of the ideas in action. I loved the candid quotes from masters like Ben Burtt, Gary Rydstrom, Walter Murch, Dane Davis, and others. I started noting down all of the films he mentions as examples of good sound design, until I noticed Sonnenschein was one step ahead and had already noted them all in the back. Only 4 stars 'cause I personally wanted more technique and a little less theory.
Eloquently describes the rhyme and reason behind movie sound.
This eloquently written book describes the rhyme and reason behind all the sounds - music, effects, and dialogue - that are blended together to create the sophisticated soundtracks we're accustomed to. Sonnenschein, a director, musician, and award-winning sound designer, combines practical wisdom with sound theory and exercises to inspire and educate both new and experienced sound professionals. The book will appeal to non-professionals and other filmmakers as well because it's fun, entertaining, and enlightening. The author clearly loves and knows the world of sound and it's a joy to be brought into this world.
A new angle
This was an interesting book, and it really gave me some new perspectives on sound design. Sonnenschein focuses on the organization and mindset of sound design, rather than the technicalities. I especially liked the excerpts from top sound designers such as Dane Davis (The Matrix, Drugstore Cowboy), Gary Rydstrom (Backdraft, Saving Private Ryan), and Ben Burtt (Star Wars, Indiana Jones).
My only knock on the book is that Sonnenschein was repetitive at times. The book would be about 30 pages shorter if he didn't repeat points that were made in previous chapters. Never the less, it was an interesting read, and I still think it is a great resource.
