A Sad Book
The Glen Canyon dam flooded possibly the most amazing stretch of the Colorado River. This book is a monument to "things lost." The photographs and text of places now under water are haunting in the least. I highly recomment it if you are at all interested in the American Southwest in general and the Colorado River region specifically.
Death of a Canyon
This not a book about photography and should not be purchased just for the "pictures". It is literally a memorial to the death of Glen Canyon. It is a reminder of our obligation to stay informed.
Glen Canyon Dam should never have been built and would never be built today. The American people would never stand for it. Ironically and sadly, it was the loss of Glen Canyon that inspired many to say, "Never again." When the Bureau of Reclamation attempted to follow Glen Canyon Dam with a series of dams down stream in the Grand Canyon, the agency met a solid wall of opposition. In ways, the river still flows free through the Grand Canyon because of the sacrifice that was made with Glen Canyon.
Even former staunch proponents of Glen Canyon Dam lived to regret their support. As late as 1974, Senator Barry Goldwater still felt the dam was an improvement over the untamed river. But by the mid-80s, he felt otherwise. In one interview, in fact, Goldwater lamented that if he could change just one Senate vote he'd cast in 30 years, it would have been his vote to approve construction of Glen Canyon Dam.
Sad.
Historically valuable, photographically bland
"The Place No One Knew" is the famous book that comes up anytime someone mentions the submersion of Glen Canyon. It was the Sierra Club's--and the environmental movement in general's--first major statement on the construction of Glen Canyon Dam, the flooding of Glen Canyon, and the filling of Lake Powell.
The book is a companion, or I should say the polar opposite, of "Lake Powell: Jewel of the Colorado," a book by Floyd Dominy, then Commisioner of the dam-building Bureau of Reclamation.
Both books are basically propaganda, though for seperate sides of the same issue; both feature scenic photos of a place, praising text, and pertinent quotes.
Glen Canyon was referred as to "the place no one knew" because its lack of national park status (and protection) was a major factor in its being inundated by the trapped water of the Colorado River. In actuality, a lot of people knew it--just not many with the Sierra Club. In fact, more people rafted through Glen Canyon a year than did through the Grand Canyon. C. Gregory Crampton wrote ten books about Glen Canyon before its demise, and liked to joke that THIS book should have been called "The Place the Sierra Club Didn't Know."
Which would have been more correct.
All that said, this book is a valuable historical document--for its role in the Glen Canyon controversy, and for its role in this century's environmental movement.
But it's not that good of a book. The photos are below average: many have a grainy, low quality-feel to them, and most of them are of very small things, and fail to give the true scope and grandeur of what Glen Canyon was. They are not Eliot Porter's best work, and some of the photos aren't even of Glen Canyon, but of other red rock from other places in Utah. (That's true, believe it or not, and it's well-documented.)
The quotes that accompany the photos are all right, but they're not amazing, they won't make you jump up.
A far, far better book featuring photos of Glen Canyon is Eleanor Inskip's "The Colorado River Through Glen Canyon: Before Lake Powell." Check it out.
And a far, far better collection of Eiliot Porter's is "Eliot Porter's Southwest." It's full of gorgeous black and white images from all over the Interior West.
A visual rhapsody
I got a copy of Eliot Porter's Glen Canyon book after reading Edward Abbey's "Desert Solitaire," a chapter of which is devoted to a downriver rafting trip along this stretch of the Colorado River just before the dam was built. While Abbey's descriptions are vivid, I wanted to see with my own eyes what he was describing. And Porter's camera is the closest you can get to doing that today.His pictures are, of course, not the real thing, but they are about as breathtaking as photography can be. The colors, textures, reflections, and the play of light and shadow are wonderful, and each photograph is distinctly different. His own description of the canyon's display of color and light in the introductory essay "The Living Canyon" give an instructive insight into the eye of the photographer. His awareness of what he is looking at and his ways of choosing to look help the reader to see even more in the 80 photographs that follow.
While some of the photographs capture the monumental scale of the canyon walls and formations, many focus on the myriad surfaces that are revealed to the eye: erosion patterns, lichen, rippling water flow, the dark streaking mineral stains extending from seeps, the rough texture of weathered sandstone in glancing sunlight, smooth river stones, the layered stripes of exposed sediment, the trickling spread of water falling from overhead springs, the hanging tapestry coloration of the walls, whorled and striated rock, dry sand. There are also photographs of plants: moonflower, maidenhair fern, willow, tamarisk, redbud, columbine, cane. Above all, there is the rich array of colors, capturing a great variety of moods and attitudes.
Porter was recognized for his photography of birds, and while there are no birds visible in these photographs, his introductory essay makes mention of them, and when looked at with that awareness, many of the pictures also seem to capture a sense of "air space" for flight. Before turning to photography, Porter was a Harvard professor of biochemistry and bacteriology, and it's interesting to see the somewhat dispassionate eye of the scientist in the way he uses the camera. While the story of Glen Canyon may induce sorrow or anger, the photographs are strong for their lack of sentimentality.
The pictures also excite a curiosity about the geology of the river, and the book concludes with a short essay describing how the canyon walls reveal the geological ages that have gone into forming this part of the earth, going back millions of years. The book also includes a catalog of all the plants and animals that inhabited Glen Canyon before its inundation. Altogether, with its quotes from other writers, including Loren Eiseley, Joseph Wood Krutch, Wallace Stegner, and members of John Wesley Powell's expedition in the 19th century, this book is a fitting record of a great lost national treasure.
A heartbreakingly beautiful book
These photographs are just about all that is left of Glen Canyon. After the Sierra Club and other environmentalists had lost the battle to prevent the Glen Canyon River Dam from being built, Eliot Porter took this extraordinary series of photographs to memorialize the gorgeous area that has been lost forever. Few people at the time knew much about the Canyon. It was too remote, too difficult to get to. Although it was one of the areas that John Wesley Powell found most beautiful in his first expedition down the Green and Colorado Rivers, no access roads or paths were ever built to make it possible for many people to view the areas firsthand. As a result, very few people knew precisely what we were about to lose.The tragedy is that these areas are really, truly are gone. Even if the Glen Canyon River Dam were magically removed, many of the areas viewed in these gorgeous photographs have already been silted up. The Green and Colorado Rivers carry extreme quantities of minerals, and when the dam stops the flow to form a reservoir, they tend to drop to the bottom. All dams have a limited life. They don't last for as long as one might imagine. Basically, they create a new landmass behind them over the course of a century or so. Many of the spots photographed in these pictures are now solid earth.
One would hope that such beautiful photographs as these, photos that create tremendous longing for what we have already lost, would make us more concerned to preserve what is left. But with the current presidency even today as I write this review opening the national parks to snowmobiles and with people speculating that there will be new attempts to open arctic areas in Alaska to oil exploration, we can't assume that in the least. These photographs may end up being emblematic of all endangered areas, of the ongoing fragility of all of nature.
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